The beauty of adolescence perhaps lies in those remnants of childhood that sometimes blur the boundary between reality and fiction. For in Africa we are, viscerally, a continent of invocations, of conjurations, of projections, of manifestations. A land of spells, of panegyric verses, of mythical tales shared by moonlight. Things that are because they are told. (Read more)

Where colours tighten and gravity loosens — Sichtweite begins: navigating through stardust and static, a figure struggles as sensory deprivation deepens. Fragile and adrift, signals stutter as the visitor tries to recalibrate. Sichtweite [German for visibility] is the result of Arcin Sagdic’s sustained experimentation with chemically manipulated film… (Read more)

What do we start with when telling a story — What tensions activate it — What does it promise — What do we want from it — How do we deliver it — Must it have an end — What about a story which never began — Stories we wish were told — Stories which have always been there — Stories we don’t know how to start… (Read more)

Working closely with choreographers and performers, photographer Paul Phung presents a series of five acts grappling with the unspoken language of the body. With no discernible beginning or end to the publication, the reader unwittingly joins a dance, manoeuvring through a sequence of life-size clippings; weightless figures wrestle through internal dialogues. Falling Leaves obscures the distinctions between photographer and choreographer, reader and performer… (Read more)

From anxiety-pitched fever dreams, to late night Reddit reading, conspiratorial fed fear and existential angst. They Are Coming collates the material produced over the course of a decade from both first and second-hand sources by Alice Rosati. The collected screenshots of ‘anxiety triggers’ introduce a reoccurring slime-like substance while doppelgängers layer and build momentum towards… (Read more)